The Voice Factor [X], The New Theatre

There is a sparseness to the staging, but it all works very well, freeing everything up for fluid movement. The black space, two black boxes on wheels for technical gear, a mike and a guitar, which Quincy (Michael-David Mckernan) does play. He doesn't, despite the premise of the show, sing any songs, although there is some original mood music and a guitar introduction to a song. In fact, we don't hear any songs at all, original or otherwise. 

Initially it did have a touch of Dublin Old School, some riffs, some rhymes, which gives us a heightened sense of language, and it feels like ground we know, a bit like watching talent shows. But it does settle down into its own voice - no pun intended - once it gets going. It moves along slickly, not having to go at breakneck speed, letting us savour some lovely staging and acting moments.

Like all two person plays, many roles will have to be played. And here is no exception. McKernan plays only Quincy, leaving all other roles to Daryl McCormack. Switching from character to character, and at times quickly, is an interesting thing. To do so convincingly and with ease is wonderful. And here they have a talented, strong and committed actor in McCormack who creates definite characters, some memorable - Jules and Brune - that at times eclipse Quincy. Through McCormack we get, among others, the backstage crew of the TV show, the judge with the vapid comments, and Quincy's best friend Twanky. Direction from Rosa Bowden is excellent, using the space well and some lovely staging and switches in tone, helped along by excellent lighting from Shane Gill.

All of this is accomplished with the seriousness that gives good humour, with a few knowing nods to the title and other topical situations, as well as the demands of 'reality' for entertainment purposes. So in a way, unlike the shows it is tapping into, it doesn't always take itself seriously, which is a nice touch. There are other more regular and familiar aspects to the play - Quincy's relationship with his past, his friends and his father - that all work, mainly well, into the story. Although the ending could be seen as usual or intentional, depending on how you view it. It is a good, solid play, and it will be interesting to see what McKernan comes up with next.